Monday, February 16, 2015

Horrible Bosses 2, A Laugh-Riot!

 A sequel to the decent Horrible Bosses, 'Horrible Bosses 2' is a much superior & much funnier sequel, that delivers above expectations. I laughed, laughed & laughed!

'Horrible Bosses 2' Synopsis: Dale, Kurt and Nick decide to start their own business but things don't go as planned because of a slick investor, prompting the trio to pull off a harebrained and misguided kidnapping scheme.

'Horrible Bosses 2' gets it right, as there are hardly any major minuses here. Sure, the second-hour, where our ill-fated protagonists plan to execute their plan, could've been shorter, with a better climax. But otherwise, this sequel is a riot. The sequences, one after the other, especially the ones with Horrible Bosses Veterans (Portrayed superbly by Kevin Spacey, Jamie Foxx & Jennifer Aniston), bring the house down!
Sean Anders & John Morris's Screenplay is brisk, hilarious & interesting. The goings-on barely offer dull moments. Anders Direction, also, is appropriately done. Cinematography is fine. Editing is good.
 
Performance-Wise: Jason Bateman, one of the finest actors in the block, delivers a truly committed performance, yet again! Charlie Day is first-rate, he contributes to some of the film's funniest bits enormously. Jason Sudeikis supports very well. Christoph Waltz deserved more scope, nonetheless, he's passable. Chris Pine is fantastic. He enacts the comedic baddie to perfection.

On the whole, 'Horrible Bosses 2' is one great laugh! Go, have fun!

Yves Saint Laurent (2014) Streaming - An excellent companion piece to L'Amour Fou

I have just watched Yves Saint Laurent and found it to be a visually sumptuous film which totally captures the dying days of the elite formal couture houses before bursting into the hedonism of modern global fashion brands. An excellent companion piece to L'Amour Fou (2010), giving an insight into the tempestuous but private relationship between YSL and Pierre Bergé through the pitch perfect acting of Pierre Niney (Yves) and Guillaume Gallienne (Pierre).


The film charts YSL's career from his early years at Dior in the late 1950s through to his iconic Ballet Russes collection of 1976. The world of the late 1950s is perfectly captured with elegant Dior designs, stylish models and a jazz score that matched the chic Parisian apartments the characters inhabit.

In one such apartment Yves meets Pierre Bergé, the man he will spend the rest of his life with both privately and professionally. For Pierre is the man who orchestrates the creation of YSL as a couture house. He gives Yves the confidence to "create on my own terms" and show the world his own particular view of feminine beauty and elegance.

Their relationship mirrors Giancarlo Giammetti and Valentino Garavani who together also created an iconic fashion house and sustained a personal relationship for over 50 years. Their story too is wonderfully and humorously captured in the documentary The Last Emperor (2008). However, one is left with a sense that Giancarlo and Valentino had a much more stable relationship to that of Yves and Pierre. The YSL movie captures during the 1960/70s Yves' erratic excesses with drugs and sex and Pierre's jealousy and need for control.

But this expose of their difficult relationship in no way detracts from the exquisite design throughout the movie. From the elegant, well documented interiors of Yves and Pierre's Parisian apartments, to the bohemian Moroccan lifestyle they enjoyed with the likes of Loulou de la Falaise and Karl Lagerfeld.
This film was a joy to watch with a standout performance by Pierre Niney

The Counselor (2013) Be your own judge

Was so very reluctant to go see this due to the amount of extremely negative reviews, glad I didn't listen.
Like all of you I was drawn to the writer, director & cast combination which told me this film had a chance at greatness, well I'm not so sure about greatness but this is a very good movie, one which both my wife and I thoroughly enjoyed.

The plot is secondary, only the story outline is necessary ("honest citizen" buys into a onetime drug deal which goes bad and there are serious consequences) to act as a framework around the events that unfold. We do not need details of who, what , where or when regarding the drug deal, we only need to see the greed and the evil it leads to, play out.

Yes the dialogue is metaphorical, gloriously so, and the actors deliver this as it was intended to be delivered by the writer and the director. This dialogue is superb in setting the ominous tone for the film, we do not need to know who is picking up what and delivering to whom, we only need to know that it didn't happen and somebody has to pay, pay a price beyond imagining! While there are moments of amusement, it is a deadly serious morality tale that does not play out to our long established preconceptions. Decisions today can make for impossible decisions and terrifying consequences tomorrow.
Do not judge, rate or review this film within the traditional confines of typical Hollywood movies, as it barely applies, maybe it does to the star power but not to the content nor the execution.

Nightcrawler (2014) Deutch subtitle

Dit is een van de weinige films die me heeft gehouden in mijn stoel van het begin tot het einde toe zelfs wanneer halverwege ik hard nodig om de badkamer te bezoeken. De verhaallijn, script, filmen en acteren te combineren tot de perfecte storm van een briljante film. Jake Gyllenhaal speelt een personage, op wat ik alleen maar kan omschrijven als aan de bovenkant van het autistisch spectrum en verdient een Oscar nominatie voor deze rol. Zijn karakter is perfect afgestemd door Rene Russo het spelen van de rol van haar carrière als het succes op zoek naar veroudering nieuws editor. En een schreeuw ook voor Riz Ahmed als Rick, assistent Gyllenhaal. Wat een contrast met "The Judge" die ik zag vorige week, "Nightcrawler" is superieur op elk niveau, gaan zien!


If you take the slick look of Drive and the satirical wit of Network, you get Nightcrawler. This film is a genius first film for director Dan Gilroy, it is darkly comedic, surprisingly disturbing and is brilliantly acted. The film tells the story of Lou Bloom, a freelance videographer who covers the crime world in LA for a local news station and ruthless editor played by Rene Russo. It isn't before long until Bloom's demented job overtakes his life, making him colder and colder the deeper he goes. The film plays like a twisted bloody version of Network and has the satirical wit to back it up. Jake Gyllenhaal is utterly fantastic in this film. Lou Bloom is a role that he is completely submerged in and it oozes through every frame as our dislike for Bloom intensifies throughout the film. But what this film does best is not make us particularly like Bloom but it makes us wonder what he is willing to do next. And trust me, his actions get as sick and as shocking as they come. Bloom is a depraved individual and Jake Gyllenhaal deserves a hell of a lot acknowledgment for this role because he pulls off the tricky task of making the audience care about a character that is truly unlikeable and does so with not one false note. It is truly mesmerizing to see. The supporting cast including Rene Russo and Bill Paxton are absolutely great in this film and deliver career bests here. The cinematography also is top notch here, blending the awesome pallets of Drive with a bitter cold makes for an engaging view and makes it hard for you to peel your eyes from the screen. Writer/Director Dan Gilroy is someone to watch, especially coming out of the gates with a film filled with sheer and raw velocity like this one. It is not only an impressive first film but a brilliant film all around. I highly recommend it.
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Sunday, February 15, 2015

A Mause Tale (2015) Small kingdom, Big heroes - Live streaming

In order to save their kingdom from evil rodents, Sebastian (Drake Bell) and Samantha (Miranda Cosgrove) are sent on a quest by the King of Rodencia (Jon Lovitz) to obtain a legendary magical crystal which has the power to defeat the rodents. With the help of two trustworthy knights, they must venture deep into the forest and enter the forbidden world of giants in order to accomplish their mission and restore order to the kingdom.
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Ex Machina movies - Excellent, thought-provoking, fascinating

Given the large amount of television and film dedicated to A.I. I was surprised to find another film that could bring something new to the table. What we have here is a fascinating film which explores the complicated issue of artificial intelligence, and the morals and ethics attached to the idea. Expect the problems presented in this film to occupy current affairs over the next decade.

Ex Machina is a touching story, carried excellently by its two male lead characters and their robot, played with childlike wonder and tingling sexuality by Alicia Vikander.

Yes, there are plenty of other films out there which try to explore the concept of artificial intelligence, but don't be put off. This is no retread of Star Trek's Data or Arnold's Terminator from T2.
Just see it for yourself, you won't be disappointed.

An excellent and thought provoking film.

Review :
The film moves at a good pace throughout getting to the main storyline early on. The most noticeable aspects of the film early on are the location, sets and special affects.

Though the main character, Ava, has an attractive human face it is quite clear from the rest of her body that she is indeed a machine. This is central to the role and storyline, I shall say no more as to why.

Domhnall Gleeson plays 'Caleb' and takes us through the film, leading us along the way to a conclusion that is eventually twisted at the end. Though he is very good in the role he is over shadowed by Oscar Isaac (Nathan) who created Ava, superbly played by Alicia Vikander, who over shadows them both.

I have seen that there are some exciting films being released this year but they will have to go a very long way to better this one. 

Saturday, February 14, 2015

The Bachelor Weekend (2013) - Hilarious and Touching

So originally i thought this would simply be the Irish version of the hangover movies, however i had an essay to write and so i was prepared to watch anything to avoid doing it. I was wrong. The Stag did have the laddish banter in it, with one character known as "the machine" seeming to be a borderline psychopath whose outlandish exploits would gain laughs from mainly a prepubescent male demographic. But the machine's care free, reckless attitude to life helped bring out a more liberated and daring side; to the somewhat awkward and geeky, metro sexual characters. This film had a great balance of humor and touching moments, including the machine singing at the wedding. What i also loved about this film is that it didn't have Irish stereotype characters who were just wanting to get hammered and have a fight, but they were more honest and real characters who each had their own obstacles and problems to face, which helped show the character development as they dealt with these issues. Overall a great film.

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